Ode to the Eucalypt No 4

Artist

His works also reference the history of the artist’s mark. We can see that the background of many works are digitally hatched, a contemporary nod to the artist’s hand at a time when the artist is more likely to be using a tablet and pen than a pencil. Silhouetted plants float along Parisian streets or Tasmanian landscapes carefully hand varnished to emphasise their alienness.